Edgar Degas depicted the actress Ellen Andrée as a prostitute of the Parisian streets with a lost look, sitting absolutely still before a glass of absinthe, absorbed in thought. At her side, a pipe clenched between his teeth and hat pushed back into his neck, one of the café regulars is seated. He seems to be looking into the distance, not aware of the woman seated just beside him. Squeezed into the corner behind little empty tables, they are almost touching one another, but each is in their own world. Again, Degas succeeded in setting down on the canvas something almost impossible to capture: the bitter solitude of a human being in the merriest, liveliest city in the world. (1000 Painting of Genius, 2006)
Edgar Degas 1834-1917, French painter and sculptor, b. Paris; son of a banker. Although prepared for the law, he abandoned it for painting, studying at the École des Beaux-Arts with L. Lamothe, a student of Ingres, and in Italy, copying 15th- and 16th-century masters.
His favourite subjects were ballet dancers, women at their toilette, café life, and race-track scenes. He made notes and sketches from living models in motion to preserve informality of action and position. From these he organized his finished work in the studio, not directly from nature as his contemporaries did.
Sometimes he effected a remarkable balance by giving special weight to the focus of interest, as in Woman with Chrysanthemums (1865; Metropolitan Mus.) and Foyer of the Dance (1872; Louvre). Gradually, Degas turned away from the medium of oil painting, perhaps because of his failing eyesight.
He produced more freely executed, glowing pastels and charcoal drawings. His works in sculpture include many notable studies of dancers and horses. A number of his paintings and sculptures may be seen in the Metropolitan Museum. Many of his most celebrated works, including Absinthe, The Rehearsal, and Two Laundresses (1882) are in the Louvre. Ranked among the greatest of French artists, Degas profoundly influenced such later artists as Toulouse-Lautrec and Picasso.(Global Gallery)
debtraveling said:
It is interesting how we project our own interpretations onto artworks…
I don’t see the woman as “bitter” – rather, I see this woman in a state of resignation or apathy – possibly feeling she is no longer able to change her current circumstances. The facial expression appears more resigned than bitter and the drooping shoulders along with her feet splayed outward also do not represent bitterness to me.
I am impressed with Degas’ ability to capture her solitude in the midst of company – how often do we find ourselves alone in a crowd or even with a companion?
Judi said:
I enjoyed this very much….thanks….xxxxxx
nasser said:
informative dissecotion and lovely art work.thanks sjonie
kate smedley said:
Thanks Jonie, I didn’t know much about Degas although I do like some of his work.
Barbara said:
Wonderful post Jonie! I learned a lot from it!
Dominique said:
I love Degas. Thankfully for us he gave up law and pursued art, huh!?
Juancav said:
Nice opportunity to enjoy Degas work,I see the woman without hope,and man looking back his misfortune.Thank you Jonie.
revivor said:
interesting article and a very professional wordpress theme – looks great!!
canvas paintings said:
great article and lovely artwork!